December 02, 2005

Okay. I Know Everyone's Going to Get Mad at Me Again.

But I have to survey my female readers, here. I read a story at writer's group last night (a little autobiographical piece about my relationship with my body) and mentioned that it was "fun" to get my first period, at the age of 14. The five others present—all female—questioned that word. My mouth nearly dropped open: sure, menstruating can get to be a drag in any number of ways after months and years go by. But I had a classic Are You There, God? It's Me, Margaret? experience, and genuinely wanted that confimation that I was becoming sexually mature and that my body worked properly. It sounded like a grownup thing, getting periods, and like most teenagers I longed for the trappings of adulthood (stopping just short of responsible behavior, of course, like most teenagers).

Am I the only one who was thrilled and gratified to see those spots of blood for the very first time?

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January 07, 2005

My Fiction Group

. . . says "less dialogue, more exposition and description." Then they all try to lessen the sting by telling me how marvelous my dialogue is: to hear them talk, you'd think the angels write dialogue like mine. It's so authentic. It crackles. It's the way people talk. They practically have orgasms when they hear my dialogue.

"Actually," I want to point out, "all my characters sound like me, and if I ever have to write about people who aren't smart-ass psuedo-intellctuals, I'll be in deep shit."

I say nothing. I'll add some description to the chapter, and it won't hurt me a bit.

Onward.

Posted by: Attila at 10:18 AM | Comments (4) | Add Comment
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September 24, 2004

Writers' Group

Writers' group last night.

Well, it's getting easier to go. My first one two weeks ago nearly killed me: having to read my work aloud to strangers was awful. And by the time everyone shared his/her perspective, I was convinced that my story had no merit whatsoever. Eight pages of "oh, my god; this sucks." By the time I got to the end, I wasn't even using different voices in the dialogue—just droning on in a near-monotone and hoping it would be over soon.

I picked a genre that had as few literary pretensions as possible, and that I happen to find incredibly pleasurable to read. Little did I realize at the time that mysteries are very, very hard to write well. All kinds of clues have to be laid in early, but the significant ones can't be noticeable—or must be explained away early on. Everything must be hidden in plain sight. And unless one is doing a police procedural—and I think my background forbids that—there is the pesky matter of explaining why ordinary citizens go rushing around solving crimes on their own in books, when everyone knows perfectly well that they don't do any such thing in real life. You have to get the reader hooked into the puzzle, because otherwise they won't suspend that disbelief. Why should they?

And of course at its best a mystery also stands alone as a novel; consider some of Dorothy L. Sayers' best Lord Peter mysteries.

Of course, I've given up on being the next Dorothy L. Sayers, and would settle for being readable. And on keeping my readers in the dark as to who actually did the crime until I want them to know.

And after one more session I'm going to run out of finished, polished, existing sequential chapters and will have to actually start writing to keep up with this. Eek.

Wish me luck.

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